5.
압상트가 19세기 유럽화가들과의 특별한 영향을 미친 점이나 회화적 주제가
되었다는 점은 여러 자료들에 잘 나타나 있다. 드가의 그림부터 먼저 살표보자?
absinthe has a widely documented role in 19th century visual art and was frequently the subject of many genre paintings and still lifes of the day.
- Edgar Degas' painting L'Absinthe
(1876) portrayed grim absinthe drinkers in a cafe. Degas himself never
called the painting "L'Absinthe"; it was either his art dealer or a
later owner who gave it the name. Years later, it set off a flurry in
the London art world, and the grim realism of "L'Absinthe" (a theme
popular with bohemian artists) was perceived by London art critics as a lesson against alcohol and the French in general.[citation needed]
- Paul Gauguin is known for consuming large quantities of absinthe,[citation needed] and his bold use of flat color has also been attributed to its influence.[5][dubious – discuss]
- Édouard Manet began his career with The Absinthe Drinker (1858), oil on canvas[6][unreliable source?] demonstrating that at least he was exposed to the drink and its effects.[original research?]
- Picasso depicted absinthe in various media, including the paintings Woman Drinking Absinthe (1901), Bottle of Pernod and Glass (1912), and the sculpture Absinthe Glass (1914).[citation needed]
- Henri de Toulouse-Lautrec was notorious for his consumption of the green muse. He often painted impressionistic scenes of the brothels and night spots[7] of 19th century Montmartre. Lautrec was even known to carry a hollow cane filled with absinthe during long nights out in Paris.[8] An example of Lautrec's work featuring absinthe would be the painting Monsieur Boileau au café.[citation needed]
- Vincent van Gogh was anything but a man of moderation. He drank ferocious quantities of absinthe[9]
while creating his signature painting style. His ear removing episode
is often attributed to overconsumption of absinthe as is his liberal use
of the
Famous Absinthe Drinkers
감정을 읽기 어려운 연못색의 눈동자를 지닌
네덜란드 청년 빈센트 반 고흐가 무언가를 응시하고 있다.
이 그림은 자화상이니 아마도 자기 자신을 바라보는 것이리라...
오묘한 느낌의 푸른 셔츠는 몇일째 입었던 것 같고,
어딘지 모를 공간의 벽은
바닥부터 이끼가 가득 차 오른 것 같다.
힘주어 다물지도 않았지만
좀체 열릴 것 같지 않은 입술과 패인 볼,
날카로운 턱을 바라보고 있자니
아픈 것 같기도 하고, 슬픈 것 같기도 하다.
저 얼굴은 어쩐지 우리에게 친숙하게도 보인다.
많이 절망한 사람이 밤새워 술을 마시고 난 다음날,
새벽에 볼 수 있는 얼굴을 닮은 것 같기도 하다.
지독하게 술을 마시고 나서 한바탕 게워낸 후
거울 속 자신을 들여다 보는 모습...
말간 아침녘의 빛이 비치는 저 구석은
아직 차가운 그늘인 화장실에서 청춘은
누구에게나 열렬한 법이다.
아프지 않고 고민하지 않는 젊음은 없다.
욕심을 통해 좌절을 배우는 듯...
젊은 날의 만취를 통해
우리는 삶과 직시하는 순간을 만나기도 한다.
다만 술은 반드시 고통보다 지독해야 할지도...
후에 그는 환각 성분이 있는 초록색 술
압생트의 중독자가 된다.
그 결과 정신착란과 함께 황시증을 앓기도 한다.
그러한 고흐에게 따뜻함을 전해 줄 그 무언가가 있었다면...
알콜 중독에 빠지지 않았을텐데...
과연 그것은 무엇이었을까...
[로트렉 / 세탁부]
펑퍼짐한 셔츠를 입고 있는 여인의 뒷모습에서
삶의 고단함이 느껴진다.
일을 하다 말고 탁자를 짚고 서서
"아~ 이 지긋지긋한 생활로 부터 도망치고 싶다"라고 생각하며
창밖을 내다보는 것 같다.
자신의 처지를 생각하면 코끝이 빨개진다.
어쩌다 내 인생이 이렇게 되었는지...
귓볼이 서서히 붉어질 만큼 화기 치밀어 오른다.
그녀의 등이 언뜻 분홍색으로 물들어 가는 것으로 보아
바야흐로 저녁 노을이 지는 오후인 것 같다.
로트렉의 세탁부란 그림을 보고 있으면
그녀의 앞머리를 가만히 쓸어 올려주고 싶어진다.
앞으로 나갈 수 없는 창 너머는 그만 보고,
반대쪽 문을 박차고 나가라고 소리치고 싶어진다.
하지만 그녀는 그러지 않는다.
꾸역꾸역 일을 마치고,
구겨진 소매를 툴툴 털어 내려 입고,
한껏 몸을 움츠리며 세탁소를 나올게다...
그리고는 딱딱한 빵 한 덩어리를 사서
가난한 식탁을 차리겠지...
그렇게 반복되는 것이 아마도 인생이므로...
키 작은 화가 로트렉은
주머니에 항상 땅콩을 넣어가지고 다녔다고 한다.
언제든지 바에 가서 술을 마시기 위해...
그는 주로 샴페인을 많이 마셨지만
위스키, 브랜드, 럼 등 각종 술을 마구 섞어
칵테일 한 뒤 폭음을 일 삼기도 했다고 한다.
12살 때 대퇴골 부상 이후
더 이상 성장하지 못했던 그가
술 대신 다른 것을 마셨더라면
알콜중독으로 정신병원에 감금되는 일도 없었을텐데...
[모딜리아니 / 푸른 눈의 여인]
검은 옷을 입은 여인이 힘 없는 손으로
옷깃을 모아 잡고 있다.
고개를 갸웃한 모습에서 망설임이 느껴진다.
이제 어디론가 떠나려는 걸까?
아니면 누군가를 기다리는 걸까?
상기된 뺨과는 달리 눈동자가 없는 푸른눈은
눈물로 가득 찬 듯이 보인다.
아무에게도 말할 수 없는 이야기를
가슴에 담은 채 술을 마신 여인인지도 모른다.
생각보다 취기는 빨리 올라왔을지도...
감정이 복받쳐 오르지만
처음보는 바텐더에게 넋두리를 늘어 놓을 수는 없다.
당황스럽고 서러운 마음에 자리에서 벌떡 일어서는데
거대한 밀물처럼 눈물이 차오른다.
모딜리아니가 그린 [푸른 눈의 여인]은
분명 아내 잔느 에뷔테른이다.
잔느 에뷔테른을 그릴 때마다
그녀의 표정 속 망가져가는
자신의 모습을 언쯧 보았을지도 모른다.
"왜 나의 눈동자는 그려 넣지 않나요?"라는 물음에
"너의 영혼을 다 알게 되면 눈동자를 그려줄께"라고
대답하던 모딜리아니...
세상 어느 곳에도 안주하지 못하는 보헤미안의 말은
사랑하는 연인의 마음을 많이 아프게 했을게다...
가난하고 방탕했던 천재화가 모딜리아니는
도취 상태에서 맛보는 무의식의 세계를 탐닉했던 예술가였다.
그가 폭음하는 것을 지켜보면서
잔느 에뷔테른은 무슨 생각을 했을까?
At the height of absinthe’s popularity on through to its eventual
banishment, the drink was considered both a miracle tonic and a
criminal scourge, depending on your perspective. While little of the
alleged psychoactive or hallucinatory aspects of absinthe have been
explained by science, what we do know is that the drink touched the
lives and influenced the work of many an artist, writer, and
intellectual. Below you’ll find a list of the major absinthe
aficionados in whose life and work were inspired to take up pen or
paintbrush thanks to The Green Lady.
Vincent Van Gogh (1853-1890)
Van
Gogh’s love affair with absinthe is considered to be he most famed in
history.
It is rumored that not only did Van Gogh enjoy absinthe to the
extreme, but that he also devoured the oils and turpentines used in his
paintings. Speculation about the odd lighting effects in Van Gogh’s
work is sometimes attributed to a case of epilepsy. Accurate medical
diagnoses of Van Gogh’s various conditions is unavailable, but Van Gogh
scholars tend to agree that he displayed, not only in his work but
also in his letters, all the signs of a full-blown absinthe alcoholic.
What we can say for sure about Van Gogh is limited to this: that he was
as exceptionally troubled as he was brilliant.
Oscar Wilde (1854 – 1900)
One
of the English language’s most quotable writers, Wilde was a professed
alcoholic and devotee of absinthe. Wilde’s stage plays, poems, and
short stories gained him celebrity status not only in his native Ireland
but also in Continental Europe. From his post as foremost writer of
his day, Wilde referred often to absinthe as a boost to the creative
process. one of Wilde’s most famous quips about absinthe speaks to his
love of tragic irony, and goes as follows: “After the first glass of
absinthe you see things as you wish they were. After the second, you
see things as they are not. Finally, you see things as they really are,
and that is the most horrible thing in the world.”
Charles Cros (1842-1888)
Charles
Cros was a renaissance man: painter, poet, physicist, chemist,
musician, and inventor. The Frenchman is said to have invented an early
model of the phonograph, though he lacked the funds to secure a patent
or production facility. Cros’ use of absinthe is notorious. He
regularly drank up to 20 absinthes a day, and was known to regulars at
Paris’ legendary absinthe cafés as a bon vivant, partying long
into the next day. Whether Cros’ work was heightened or hindered by
absinthe is somewhat irrelevant, due to the many accomplishments he
enjoyed in his life.
Charles Baudelaire (1821 – 1867)
The
man who all but defined artistic decadence, Baudelaire’s best known
work includes a poem entitled “Get Drunk!” that mentions the use of
absinthe. Baudelaire’s main accomplishments are in the fields of poetry
and art criticism, but he also wrote thoroughly emotional political
tracts, dramas, and novellas. Baudelaire’s life was an extravagant one:
he lived well beyond his means and drank far beyond the capacity of
his body and pocketbook. For Baudelaire, trips to the poorhouse were
followed up by trips to the café. He eventually died, young even by
19th Century standards, due to a combination of seizure and the ravages
done to the writer’s body by his regular use of laudanum, opium, and
drink.
Paul Marie Verlaine (1844-1896)
Art-school
staple, poet Verlaine is said to have drank himself to death and
damned his drink of choice, beloved absinthe, from the death-bed.
Verlaine’s troubled sexuality and substance abuse are the stuff of
legend – in a rare meeting of the minds, Verlaine and fellow poet Arthur
Rimbaud shared a bed for some time – and his devotion to absinthe was
apparently unconditional, as he wrote extensively about the virtues of
the drink. Through the lean and mean times of his later years, Verlaine
kicked all other habits but absinthe. In a twist befitting the content
of his work, Verlaine damned the very drink that many claim did him in
– while sneaking kisses of la fee verte from his death-bed.
Arthur Rimbaud (1855-1891)
The
young, talented poet Rimbaud fell in love with fellow poet Verlaine
soon after his arrival in Paris. Rimbaud also developed a parallel
fondness for Verlaine’s drink of choice: absinthe. His artistic life
ended as abruptly as his relationship with Verlaine. The story goes
that Verlaine, in a fit of madness, shot the young Rimbaud, and the two
parted ways forever after. Verlaine went in and out of poorhouses
while Rimbaud gave up writing, absinthe, and the bohemian life for the
military.
Guy de Maupassant (1850 – 1893)
Considered
by scholars to be the father of the modern short story, Guy de
Maupassant was a French writer known for efficient prose and a style
that championed brevity above all, much like a later writer and absinthe
devotee, Ernest Hemingway. In de Maupassant’s “A Queer Night in
Paris,” the writer describes the sensations associated with absinthe in
the streets of Paris.
Alfred Jarry (1873-1907)
An eccentric author with exotic tastes, Jarry’s landmark work is the French absurdist play, Ubu Roi.
Jarry’s use of absinthe and its relationship to his work is renowned:
Jarry is said to have been one of, we can only presume, very few
absinthe devotees of the time who drank the stuff straight, foregoing the traditional combination with water and sugar. Jarry’s Ubu Roi,
and its foul feature, the character Pere Ubu, have long been used to
solidify arguments that regular absinthe use will drive a person to
insanity. Jarry saw it another way. His professed goal was to use
absinthe to “fuse together the dream and reality, art and lifestyle.”
Ernest Hemingway (1899-1961)
Hemingway
and absinthe make for a direct correlation in the minds of readers in
the 20th Century and today. Absinthe features prominently in much of
Hemingway’s work, including: For Whom The Bell Tolls, where the protagonist turns to absinthe as a substitute for the poor quality of the local liquors; The Sun Also Rises,
about a sojourn to Spain in which Pernod is the drink of choice for
the traveling party; and the short story, “Hills Like White Elephants,”
where abortion is considered over drinks of absinthe at a train depot.
Hemingway’s famed use of absinthe comes as a bit of a puzzle, due to
the fact that it was banned in much of the Western world when he was in
his teenage years, but the likely case is that he was able to stock up
on trips to Cuba and Spain, where he famously participated in the
running of the bulls.
Marilyn Manson (1969 -

A
uniquely American celebrity, Marilyn Manson is by far today’s most
famous absinthe devotee. The musician and artist known for his
grotesque stage persona – inspired, in part, by Jarry’s Pere Ubu
character – has claimed absinthe, in addition to the exhaustive use of
illicit drugs, to be an influence on his creative process. Manson’s
love for absinthe is so strong that, thanks to the recently loosened
restrictions on the production and distribution of the drink, he has
gone on to develop his own brand, Mansinthe. Manson’s brand of absinthe
is available in the United States, and in 2008 Mansinthe won the Gold
Medal at the San Francisco World Spirits Competition.
“After the first glass of absinthe you see things as you wish they
were. After the second you see them as they are not. Finally you see
things as they really are, and that is the most horrible thing in the
world. I mean disassociated. Take a top hat. You think you see it as it
really is. But you don’t because you associate it with other things and
ideas.If you had never heard of one before, and suddenly saw it alone,
you’d be frightened, or you’d laugh. That is the effect absinthe has,
and that is why it drives men mad. Three nights I sat up all night
drinking absinthe, and thinking that I was singularly clear-headed and
sane. The waiter came in and began watering the sawdust.The most
wonderful flowers, tulips, lilies and roses, sprang up, and made a
garden in the cafe. “Don’t you see them?” I said to him. “Mais non,
monsieur, il n’y a rien.”
―
Oscar Wilde